Les is a 2nd year doctoral student. Their research looks at performances of black identity and home. They are also interested in the relationships between identity, dwelling, and material culture. Their research also considers domestic space, trauma and performances of everyday life. Les’ scholarship and artistic life as a performer and dramaturg is deeply invested in ethical and responsible cultural production. Their dissertation will consider transhistorical questions of diasporic black cultural products and cultural memory alongside what it means to perform in a black body subject to terror and other states of precarity, hypervisibility, and hypersurveillance. In their spare time, they enjoy blues/fusion and other social dancing.
M.A. in Theatre Arts, University of Oregon
B.A. in Theatre, University of North Carolina at Charlotte
“The Stratified Black Body in the American Musical.” New Scholar’s Forum at International Federation for Theatre Research World Congress, 2014.
“Captivated Bodies: Performances of Bodily Histories in Sabrina Mahfouz’s Chef” as part of panel: “Staging the Past/Present in Contemporary Performance: Spaces, Bodies, Objects.” Mid-America Theatre Conference, 2015.
Member of Ecology and/of/in Performance Working group. American Society for Theatre Research Conference, 2014.
“Come on Home”: Domestic Transition and the Black Female Body in Katori Hall’s The Mountaintop” as part of panel: "(On the Way) Home: TRANSience in Performance, Performing TRANSience. "American Society for Theatre Research Conference, 2016.
“The Resistant Blackground: Performing Subversion in the Public Sphere." International Federation of Theatre Research World Congress, 2016.
“Performances of Terror and the Virtual Flowing of Blackpain” Scheduled to present Performance Studies International Conference, 2017.