Cafritz Theatre

TDPS Wednesdays: Exploring “Of Mary and David, In and Out of their Divided Selves: Performing Asylum, Anti-psychiatry and Overflow at Kingsley Hall, London 1971”

Professor James Harding discusses, “Of Mary and David, In and Out of their Divided Selves: Performing Asylum, Anti-psychiatry and Overflow at Kingsley Hall, London 1971.” 

TDPS Wednesdays: Coding for Live Performance

Projections Designer Dylan Uremovich presents Coding for Live Performance, which will explain the motion tracking technology and coding used to create the visuals for Allen Xing's Equinox and Solstice, which just premiered as part of our 2018 MFA Dance Thesis Concert. Dylan will examine code created in processing Java-based coding environment, the Isadora media server, and the artistic process of creating a visual sandbox for performers to play in.

TDPS Wednesdays: Self Producing Master Class

This seminar, taught by Jonathan Martin, will addresses what every artist needs to know about getting your work seen by an audience.  He will cover articulating what the project is and why it is important, how to create a budget and a production timeline, how to get an audience to show up, and how to get the help you need--whether it’s volunteers or funders--to accomplish your goals.  

Weekday Players: Melancholy Play by Sarah Ruhl

The Weekday Players present Melancholy Play, a farce by Sarah Ruhl, exploring the driving forces of emotion and love. Melancholy Play, written in 2002 by Sarah Ruhl, follows the emotional roller coaster ride of Tilly, a bank teller who is loved by others, including her therapist, her hairdresser, and a bank customer, for her constant state of melancholy. But when Tilly discovers happiness, her joy throws everyone off. Her sadness, we learn, was seductive, but her happiness is just irritating.

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