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International Symposium

Techno-Futures 1

International Symposium

College of Arts and Humanities | School of Languages, Literatures, and Cultures | School of Theatre, Dance, and Performance Studies Friday, March 8, 2024 9:00 am - 1:30 pm The Clarice Smith Performing Arts Center, Cafritz Foundation Theatre

 *To add an event to your calendar, go to individual event page. 

Friday, March 8

“Technology in Contemporary East Asian Performance” brings together scholars and artists to investigate how the ever-changing dynamics between art and technology are shaping theater and performance in East Asia in the present moment.

Welcome
1–1:15 pm                  

Opening Keynote: “Technologies of the Real in Chinese Documentary Theatre: Virtual Materiality and the Digital Analogue”
1:15–2:15 pm          
By Rossella Ferrari, Professor of Chinese Studies, University of Vienna

Panel 1: Mediatized Spaces
2:30–3:30 pm          
Moderated by Marjan Moosavi, lecturer in Persian studies and performing arts, University of Maryland

  • “Queens and Screens: Technology and Media in Contemporary Japanese Drag” —Justine Wiesinger, Assistant Professor of Japanese, Bates College
  • “Spectacular Spaces: Physical, Technological, and Cultural Infrastructures in Contemporary Sinophone Theatre” –Tarryn Chun, Assistant Professor, Department of Film, Television, and Theatre, University of Notre Dame
  •  “Staging Inbetweenness: The Use of Projection in Japanese 2.5-Dimensional Theater” –Zihui Lu, Lecturer, School of Japanese Studies, Shanghai University of International Studies

Featured Artist Talk: Meiro Koizumi 
3:30–4 pm                

Coffee Break
4–4:30 pm                

Featured Artist Talk: Katherine Hui-ling Chou
4:30–5 pm                  

Panel 2: Nonhuman Collaborators 
5–6 pm                      
Moderated by Belinda Qian He, assistant professor of Sinophone cinema and media studies, University of Maryland

  • “Towards a Human-machine Symbiotic Society: Androids and Avatars in Performance” –Mari Boyd, professor emeritus, Sophia University, Tokyo
  • “Dancing with AI in (post) COVID Taiwan: Cloud Gate Dance Theatre’s WAVES 波 (2023) by Artistic Director Cheng Tsung-lung and Guest Artist Manabe Daito” —Yatin Lin, associate professor, School of Dance, Taipei National University of the Arts, Taiwan
  • “The Dramaturgy of AI, Creating Art, and Psychology in the Korean Play SELF-DESIGNATION” —Walter Byongsok Chon, associate professor of theatre studies, Ithaca College

Creating with Media and Technology: An Artists’ Roundtable
6–7 pm                     
Moderated by Alexa Alice Joubin, professor of English, theatre, international affairs, and East Asian languages and cultures, The George Washington University
Featuring Katherine Hui-ling Chou, Meiro Koizumi, Jaime Sunwoo, and Mengtai Zhang


Saturday, March 9

Technology in Contemporary East Asian Performance: An International Symposium (cont’d) 
*Virtual talks will be projected in the Cafritz Foundation Theatre, Clarice Smith Performing Arts Center; attendees may join in person or via Zoom. Panel and keynote will take place in person. 

Featured Artist Talks: Hayoun Kwon and Wang Chong (Virtual)
9–10:30 am                 

Panel 3: Alternate Realities 
11:30–12:45 pm        
Moderated by James Harding, professor, School of Theatre, Dance and Performance Studies, University of Maryland

  • “Performance and Technicity in Unique Henan: A Case Study of the Immersive Industry in Contemporary China” —Yizhou Huang, assistant professor of theatre, Department of Fine and Performing Arts, Saint Louis University 
  • “Void Theatres of Virtual Reality: Site-specific Performances from South Korea” —Kyueun Kim, Ph.D. candidate in theatre and performance, the Graduate Center, The City University of New York
  • “Through the Frozen Moments in Time—VR and Immersive Storytelling of Historical Trauma” —Chee-Hann Wu, assistant professor faculty fellow in theatre studies, New York University
  • “Exploring memory and time through dance and technology: Mikuni Yanaihara and Nibroll Dance Company” —Mina Kawahara, Ph.D. student, School of Theatre, Dance and Performance Studies, University of Maryland

Closing Keynote: “Risky Networks: Subverting Block Chain Technology and Intellectual Property in Millennial North Korea” 
12:45–1:45 pm        
By Suk-Young Kim, Professor of Theater and Performance Studies and Associate Dean of faculty and students, School of Theater, Film, and Television, University of California Los Angeles

Closing Remarks
1:45–2 pm                


This event is part of Techno-Futures: Collaborations in Performance, Technology, and Creative Scholarship Symposium

Add to Calendar 03/08/24 09:00:00 03/09/24 13:30:00 America/New_York International Symposium

 *To add an event to your calendar, go to individual event page. 

Friday, March 8

“Technology in Contemporary East Asian Performance” brings together scholars and artists to investigate how the ever-changing dynamics between art and technology are shaping theater and performance in East Asia in the present moment.

Welcome
1–1:15 pm                  

Opening Keynote: “Technologies of the Real in Chinese Documentary Theatre: Virtual Materiality and the Digital Analogue”
1:15–2:15 pm          
By Rossella Ferrari, Professor of Chinese Studies, University of Vienna

Panel 1: Mediatized Spaces
2:30–3:30 pm          
Moderated by Marjan Moosavi, lecturer in Persian studies and performing arts, University of Maryland

  • “Queens and Screens: Technology and Media in Contemporary Japanese Drag” —Justine Wiesinger, Assistant Professor of Japanese, Bates College
  • “Spectacular Spaces: Physical, Technological, and Cultural Infrastructures in Contemporary Sinophone Theatre” –Tarryn Chun, Assistant Professor, Department of Film, Television, and Theatre, University of Notre Dame
  •  “Staging Inbetweenness: The Use of Projection in Japanese 2.5-Dimensional Theater” –Zihui Lu, Lecturer, School of Japanese Studies, Shanghai University of International Studies

Featured Artist Talk: Meiro Koizumi 
3:30–4 pm                

Coffee Break
4–4:30 pm                

Featured Artist Talk: Katherine Hui-ling Chou
4:30–5 pm                  

Panel 2: Nonhuman Collaborators 
5–6 pm                      
Moderated by Belinda Qian He, assistant professor of Sinophone cinema and media studies, University of Maryland

  • “Towards a Human-machine Symbiotic Society: Androids and Avatars in Performance” –Mari Boyd, professor emeritus, Sophia University, Tokyo
  • “Dancing with AI in (post) COVID Taiwan: Cloud Gate Dance Theatre’s WAVES 波 (2023) by Artistic Director Cheng Tsung-lung and Guest Artist Manabe Daito” —Yatin Lin, associate professor, School of Dance, Taipei National University of the Arts, Taiwan
  • “The Dramaturgy of AI, Creating Art, and Psychology in the Korean Play SELF-DESIGNATION” —Walter Byongsok Chon, associate professor of theatre studies, Ithaca College

Creating with Media and Technology: An Artists’ Roundtable
6–7 pm                     
Moderated by Alexa Alice Joubin, professor of English, theatre, international affairs, and East Asian languages and cultures, The George Washington University
Featuring Katherine Hui-ling Chou, Meiro Koizumi, Jaime Sunwoo, and Mengtai Zhang


Saturday, March 9

Technology in Contemporary East Asian Performance: An International Symposium (cont’d) 
*Virtual talks will be projected in the Cafritz Foundation Theatre, Clarice Smith Performing Arts Center; attendees may join in person or via Zoom. Panel and keynote will take place in person. 

Featured Artist Talks: Hayoun Kwon and Wang Chong (Virtual)
9–10:30 am                 

Panel 3: Alternate Realities 
11:30–12:45 pm        
Moderated by James Harding, professor, School of Theatre, Dance and Performance Studies, University of Maryland

  • “Performance and Technicity in Unique Henan: A Case Study of the Immersive Industry in Contemporary China” —Yizhou Huang, assistant professor of theatre, Department of Fine and Performing Arts, Saint Louis University 
  • “Void Theatres of Virtual Reality: Site-specific Performances from South Korea” —Kyueun Kim, Ph.D. candidate in theatre and performance, the Graduate Center, The City University of New York
  • “Through the Frozen Moments in Time—VR and Immersive Storytelling of Historical Trauma” —Chee-Hann Wu, assistant professor faculty fellow in theatre studies, New York University
  • “Exploring memory and time through dance and technology: Mikuni Yanaihara and Nibroll Dance Company” —Mina Kawahara, Ph.D. student, School of Theatre, Dance and Performance Studies, University of Maryland

Closing Keynote: “Risky Networks: Subverting Block Chain Technology and Intellectual Property in Millennial North Korea” 
12:45–1:45 pm        
By Suk-Young Kim, Professor of Theater and Performance Studies and Associate Dean of faculty and students, School of Theater, Film, and Television, University of California Los Angeles

Closing Remarks
1:45–2 pm                


This event is part of Techno-Futures: Collaborations in Performance, Technology, and Creative Scholarship Symposium

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