“Martius” and “crash test”
“Martius” and “crash test”
Martius
Written and composed by Beth Rendely
Directed by Abigail Olshin
Martius, a musical inspired by Shakespeare’s play Coriolanus, follows the breakdowns of family relationships against a backdrop of political conflict and warfare in Rome. Martius, a decorated soldier, is forced by her mother into a political career. What happens when the people reject her? What happens when Martius herself rejects being a pawn in the city’s battles, the senators’ political games and her mother’s ambitions? Will this Roman family—and by extension, Rome—break out of a cycle of glorifying bloodshed?
Download accompanying materials:
crash test
Choreographed by Christina Robson
Using the sheet music for Paganini's "24 Caprices for violin in B-minor," Robson created a series of movement-based rule systems that generates a series of unexpected and interrupted movement sentences to challenge habitual understandings of weight shift and momentum. As the choreographer, Robson provided her own movement notation made up of hand-drawn geometric symbols to her collaborator, cellist and composer Lily Gelfand, to generate a new musical composition for cello. In this piece, Robson and Gelfand perform their two original compositions simultaneously without revision.
Martius
Written and composed by Beth Rendely
Directed by Abigail Olshin
Martius, a musical inspired by Shakespeare’s play Coriolanus, follows the breakdowns of family relationships against a backdrop of political conflict and warfare in Rome. Martius, a decorated soldier, is forced by her mother into a political career. What happens when the people reject her? What happens when Martius herself rejects being a pawn in the city’s battles, the senators’ political games and her mother’s ambitions? Will this Roman family—and by extension, Rome—break out of a cycle of glorifying bloodshed?
Download accompanying materials:
crash test
Choreographed by Christina Robson
Using the sheet music for Paganini's "24 Caprices for violin in B-minor," Robson created a series of movement-based rule systems that generates a series of unexpected and interrupted movement sentences to challenge habitual understandings of weight shift and momentum. As the choreographer, Robson provided her own movement notation made up of hand-drawn geometric symbols to her collaborator, cellist and composer Lily Gelfand, to generate a new musical composition for cello. In this piece, Robson and Gelfand perform their two original compositions simultaneously without revision.